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Showing posts with label finishing. Show all posts
Showing posts with label finishing. Show all posts

Sunday, November 29, 2020

Beaded Anklet Remake

The best way to grow as a beader is to take on challenges where one can figure out how unfamiliar stitches go together while bringing a cherished memento back to life.

My friend, Naomi Smith, was looking for someone who would tackle the following: "A lady reached out and wants a remake of this beaded anklet. This anklet has sentimental value so she’s retiring the old one and will wear the new one."

Original Anklet

I took up the challenge. Naomi and I selected 11/ Czech seed beads in matching colors to the original. Next I sketched out the pattern on a slip of paper.

Mosaic Pattern Sketch

To me it looked like a mosaic (Peyote) pattern which I knew would be a unique start. I tied on a colourful stopper bead and proceeded to pick up the first beads. Since it's a tricky start. I even used a needle in the first row so I could keep the rows straight.

Mosaic Start

I found the 'V' pattern skewing! There's no way this would allow me to add the star fringe and picots!! My Beading Circle friends suggested I try using the brick stitch instead to recreate the pattern in the bracelet.

Comparing Mosaic v. Brick

Every brick stitch begins with a ladder stitch. On my third try, I got the base pattern right!! 1 White (W), 2 Teal (T), 1W,  1T, 1W, 2T, 1W, etc.

Next I figured out the way to get the second row to sit centered on the previous row and was happy with the stubby 'V' taking shape.

Adding Second Row in hand

The idea of the brick stitch is to pick up a bead and pass the needle through the edge thread of the previous row. By returning back up through the new bead, it secure sets the new one into place. This is wonderful for pictorial patterns and gradual 'V's. I like working in hand. Here is a link to a YouTube tutorial for brick stitch

Pulled Second Row in Hand

The magic is happening! 

Third Row

Super satisfied that the beads were falling into place and the pattern is matching up to the original anklet. I didn't finish off any rows until after the fringe trim was complete.

4th Row Added in Hand

ADDING STARS AND PICOT FRINGE

Once I had the desired length, I folded the beadwork in half. Then, tied on a stopper bead a wingspan (1.5m) from the bobbin thread and put the bobbin and rest of the beadwork into a ziploc. (An oversize bobbin flip cover would probably be more graceful!) 

Starting at the very centre of the beaded band, I worked my needle and thread down the centre of the brick-stitched beadwork. Upon emerging I started to create the star fringe. I found it best to seamlessly make the stars as you bead the fringe trim from the centre out. 

First I picked up the sequence of seed beads to drop down the star. Then 10 White beads for the centre of the star. Once the circle was formed, I could make five points as I went around.

Adding First Star in the Centre

The last star point is set when you insert the needle up the strung beads. Continue up through the brick beadwork in the direction of work. 

Finishing Centre Star

There are two seed beads between each fringe along the lower edge. Come out from the third bead away from the previous fringe. Pick up 2W, 2T, 2W for the string and 3T for the picot. As you turn around and insert the needle ups the string of 6 beads, a picot is formed. Tension is important here. If you pull the fringes too tight as you're working, they shoot out sideways; if too loose, they sag. 

Fringe in Progress with Bobbin in Ziploc

CREATING STAR FRINGE

Pick up 2W, 1T, 2W, 1T, 1W, 3T for the string and top point of star.  String 10W more to start the centre of the star.

Star in Progress

Form a circle by going through the first white bead. String 3T, 1W for first point. Turn around through the first teal bead. 

Start of First Star Point

Tighten for a white tip. 

Tighten Tip

String 2T and pass through the second white circle bead. Repeat 3 times for a total of four points. To complete the star, string 2T and go up through the string of seeds suspending this star.

Finishing Last Star Point

FINISHING ANKLE BRACELET

Once all the fringe trim was completed, I lined up the old and new beadwork to study how to finish off each end. Remember, I never secured anything because I did not know how my new beads would come together. I had to finish off each row individually, add and bead or two, weave in the ends. From the outside edge rows I strung on beads for the closure loop. I mimicked the previous loop exactly and reinforced it with a few passes of thread inside. For the button closure, I was not thrilled about recreating a beaded bead. Luckily, there was an oversized bead sitting in the ledge of my beading table! I added it and reinforced it a few time.

Finishing Ends

When I went to test the closure, I added a few stitches across the loop to tighten it when the large bead goes through. This is always tricky! Ideally, you want a bit for friction so the bracelet wears well. Since this was an anklet, it has to wear well!

Lastly, I needed to transfer the dragonfly charm from the old to the new anklet. This was loaded with memories. You could reproduce beadwork, but not the charm!


Reproduction Finished

Sunday, Nov. 22nd we drove through the first snowfall to Erin, ON to personally returned both anklets to Marjorie Wells. The original was a gift from a friend. Marjorie wore it all the time in sandal-weather. There was a lot of wear and tear and many repairs. The dragonfly was added three years ago in commemoration of her husband after the minister told a beautiful story of a dragonfly when trying to make sense of a dear grandfather's passing to children. The dragonfly is integral to the story, while the original beaded anklet is laid to rest in Marjorie's Memory box.

The Old and the New

Now that I had firsthand experience with the pattern building possibilities of the brick stitch, while perusing on Facebook a gorgeous bracelet beaded by Olya Kril, a bead artist in Ukraine, caught my eye. I complimented her and asked which stitch did she use to get this amazing result. Mosaic? or "like bricks"? 

Olha confided that she was inspired by a Pinterest posting. The best way for her to achieve pleasing results was by the brick stitch.

When she linked to her inspiration photo on Pinterest, I laughed. This was a pattern to the Peyote stitch using Miyuki Delica beads from Japan. What a small world!

Moral of my story: Test out techniques for achieving the mosaic look. For Olya and myself, the brick stitch work best with Czech seed beads. Seems like cylindrical beads work well for wide Peyote patterns.

Friday, February 21, 2014

Creativ Festival Spring 2014

Wow in just one month spring will officially arrive here in Toronto. After a long a snowy winter it will be great to see green grass and the buds on the trees.  One month after the arrival of spring will be the Spring Creativ Festival, April 25 & 26, 2014 at the International Centre.

This morning the information about all of the seminars, how-to demos, make-n-takes and miniworkshops when up live on the show's website. All of which are included with your admission.

Here are the details for the three seminars that Maria will be presenting during the show.


Beadwork: Beyond the Kit 
Kits are great for learning a technique and beading a ready made style. Once you've mastered the project, it can be repeated in so many different ways. Maria shares techniques on how you can transform an existing  pattern into your own unique creation and will inspire you with wonderful examples of designs that go beyond the kit.
Room 105, Friday @ 2:30, Saturday @ 4:30

 

 
Beadwork: ABC’s of Beading  
This original presentation, inspired by Maria’s blog series “ABC’s of Creativity” highlights examples of bead types,  variety of stringing materials available and different tools that can be used for beading. Learn to make the best choices on what to use for different techniques and what's best for your project. Plus, get tips on best use of colour along the way.

Room 105, Friday @ 10:30

Beadwork: Closures & Finishing Tips   

Properly finished beadwork is essential to its enjoyment and wearability. Learn about different types of clasps and beaded closures. Get instruction on how to attach  and direction on what's best suited to different types of beadwork. Examples of incredibly finished pieces will be shown to inspire you.

Room 105, Saturday @ 10:30






If you have created something based on one of Maria's kits, please send her pictures and details and it may be included in the presentation Beadwork: Beyond the Kit. 

A full selection of our kits and patterns will be available during the show @ booth #372. We look forward to seeing you there.

Happy Beading!

Monday, December 2, 2013

ABC's of Creativity - X is eXtra

Whether you are working on a personal project for yourself, a special commission for a customer or a gift for someone special you can create a piece that is just ordinary or give it something eXtra special.

Here are some way in which beaders have added that something eXtra.

The addition of this beautiful heart shaped closure makes this piece a wonderful necklace as an anniversary design for the 25th fall Creativ festival in 2012.
Chic Chevron Collar, beaded by J. Woolverton

Crafting your own closure will ensure that your piece is one of a kind. Here Kathy Foernzler not only added her handcrafted closure but also the added sparkle of Swarovski dangles.
Beaded by K. Foernzler

What to do with those few beads remaining at the end of a design? Here a dangle is add to this fire-polish crystal and pearl Little Black Necklace, it is the finishing touch.
Beaded by J. Woolverton

Here again I had one left over stone ring, the dangle echoes the pattern of the necklace.
Sodalite Necklace, beaded by J. Woolverton

This piece was commissioned by a young lady for her graduation. The classic netted collar has the eXtra special addition of a looped edge and the simple chain (as an extender) with a loop on the end. 
Looped Net Collar, beaded by J. Woolverton

For this project I wanted to have a versatile necklace. It is long enough to use for wear a badge at a show. It can also be wrapped twice around my neck to become chocker length. The Swaroski crystal cubes and focal closure are the star of the design. They are front and centre when wearing as a chocker. They are to one side when wearing a long badge holder.
Diagonal Weave, beaded by J. Woolverton

Here is another eXtra special versatile design. It can worn with or without the pendant. For this vintage lucite project I wanted to use as many of the beads I was given as possible. 
Beaded by J. Woolverton

Another way to add that eXtra something to project to to make it a set, with either earrings or a bracelet.

When my co-worker, Carrie, was leaving our branch I wanted to make her something special. Using Rose Alabaster bicone I made this scalloped lace necklace as seen in the December 2008 Bead & Button magazine. There was no earrings with the original project, but I wanted to have a complete set to give Carrie. A pattern for another designer worked well with the necklace.
Scalloped lace & earrings, beaded by J. Woolverton

Here Maria's Netted X's and O's collar has the added eXtra earrings for a complete set.
Beaded by M. Rypan

I had to resize a necklace I had made a few years earlier for a friend. I remade a smaller String Quartet collar, as designed by Melanie Potter. With the left over beads I made a bracelet that matched the clusters of pearls in the necklace. My friend was surprised by the eXtra bracelet when I returned the necklace.
String Quartet, beaded by J. Woolverton
Quarted bracelet, beaded by J. Woolverton
I hope that you will be inspired to add that eXtra special touch to a project. 

Happy Beading!