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Showing posts with label color. Show all posts
Showing posts with label color. Show all posts

Saturday, August 8, 2026

Red Spice Deco - Toronto Bead Society 2026 Summer Challenge

This Summer’s Toronto Bead Society (TBS) Challenge “Spice Girls" palette felt like it suited Autumn more than Summer!

Travelling back to Toronto, we bailed off the 401 Highway in Cambridge, ON. With the Summer Bead Challenge on my mind, I remembered there was Iguana Beads located on King Street in the heart of Cambridge. By the time I arrived to shop at the bead store, Iguana Beads was squished into one section of Mint Vintage shop at the same address. Plus everything in the Iguana Beads section was now 50%.

I started by finding a large lampwork bead that embodied the spice theme. It was one of a kind Art Deco-ish design with interesting colours inside gold rings. I really liked “Red Spice” and decided this would be my focal pendant. Next, I starting looking through jars for interesting beads for creating a spiral rope. Because the focal was large I could go for chunkier beads.


I was drawn to strings of 25 table-cut Topaz-Picasso coated beads with three cuts revealing the topaz core. I bought all 11 strings and ended using nine of them. There was one Topaz-Picasso window bead which I thought would be perfect for the fringe under the Red Deco lampwork pendant.

Then, I added two packs of 6/o transparent red pony beads. I figured a small tube of a Iris AB-coated black-lined transparent red 8/o seed bead would be perfect for the core of a spiral bead rope. All these goodies were purchased at 50% retail. The black-lined light topaz triangle beads and matte red 6/o will have to wait for another project.

AUDITIONING BEADS & TESTING THE SPIRAL LOOPS 


I love playing with texture by graduating shapes and colours of beads. To frame the thick cut Topaz-Picasso beads, I had a big bag of bronze-metallic coated ‘O’ beads.

They are thin slivers which in my mind mimicked the gold rings around the dots of color on the Red Deco focal bead. Next I strung 6/o transparent red pony beads, followed by opaque bright red 8/o seed beads from my stash. I thought a spot of green would tie in with the bottom of the Red Deco focal bead, but it was way too much in an ugly way. 

To start making the spiral rope, I tied on a stopper bead and went up the focal bead. Then I strung the full tube of Iris AB black-lined transparent red 8/o seed bead. I finished by going down through the focal and tied on another stopper bead.


Next I secured a new long thread and started testing the loops: How many beads per loop? How many core beads long? How many core beads apart?


The ideal loop graduated from the cut Topaz-Picasso down to the 8/o red seed on both  sides. GO UP 7 BEADS OF THE CORE. Sting an 8/o op. red, 6/o transparent red, bronze ‘O’, cut Topaz-Picasso, bronze ‘O’, 6/o transparent red, 8/o op. red. GO DOWN TOWARDS THE FOCAL. GO UP 9 core beads (7 for loop + 2 for distance).

Emerge. String next loop. Go downward outside and UP inside 9 core beads. Emerge. Keep repeating by placing the loops to the side so they are spiraling upwards.


SPIRALING ROPE 

Because all the beads are Czech glass, they are heavy. I found that by wearing the necklace, I was able to create looped sections because the weight was distributed. I used gravity to my advantage! I would just have to turn the completed sections out of the way and continue stacking the loops.

I was able to successfully layer the loops by consistently going up through the core 9 beads at a time. It was the perfect solution for this near-sighted beader!


This is a great photo showing the core versus the twisted rope. It’s amazing how many loops are needed to cover the 8/o core! The were 230 loops framed by 460 ‘O’s and 6/o  and 8/o seed beads. I know because I used 9.20 strings of 25 cut Topaz-Picasso beads.


Once I completed the last spiral rope loop, I went down through the focal bead, added a 8/o seed bead and tied around it to create a plug. All the loose thread tails were woven into the spiral rope for a clean finish.

Lastly, I created fringe by stringing 15 - 8/o red seed beads, 1-bronze ‘O’, 1-topaz lozenge and a red seed bead turn-around plug. I anchored the fringe up through the spiral loop and came down the focal to create a few more fringes.

I’m happy with my Red Spice Deco Spiral Rope. Since the weight is distributed it should be fun to wear without falling. It will be a fave going forward! 

Summer challenges are fun once you have an idea and a deadline. This is one way to do something out of the ordinary and enjoy wearing something new and original! Check out the Gallery to see what my fellow beaders created for the Spice Girls Summer Challenge.

Tuesday, January 14, 2014

ABC's of Creativity - Some of Our Favs



Back in January of 2013 Maria and I were working to get her newsletter setup and published. We talked about things to include and the idea of the "ABC's of creavitity" was mentioned. I thought that it would be great to have here on her blog and I offered to write the first one about being inspired by Art. So we started on journey last January 14 with A is Art.

Over the year every 2 weeks either Maria or I have written about a topic suggested by a letter of the alphabet that would inspire, inform or entertain you, our readers. There have been challenges along the way, including the time that Maria and Blogger did not get along; remembering who was going to to which subject and family committments. But together we were able to take you on this creative journey.

Today I am going to look back at some of our favorites.

My post B is Beads was fun to look at different types of beads and how they can be used. It was great to find information about some of the oldest beads ever found.

These ancient shell beads with manmade holes are among the oldest ones ever found. They could be about 90,000 years old. (from National Geographic News)
Maria's post C is Color was both informative and inspiring. It touched on the various color relationships and shared inspiring palettes and beadwork. Including this amazing collaborative piece entitled Teczak - The Rainbow.

This ultimate color wheel was designed as a fundraiser by Ewelina Rzad. 50 beaders from Poland participated. Soutache and seed bead wrapped cabochons are tastefully layered into a collar. Each cabochon is a mini work of art.
One of Maria's favorites is her post E is Embroidery. She was able to show the amazing embroidery with both thread and beads from across Ukraine and around the world.

This "sorochka" chemise uses beads to create a row between stylized flowers or acced their centres. It was created in Ukraine and is now part of Maria's collection.
The post J is Jewelry was fun to write as I looked as accessorizing from top to bottom. There is lots of eyecandy but also helpful images like this.

Guideline for necklace lengths
The two posts about Maria's areas of beading expertise are informative and inspiring - L is Loomwork and N is Netting.
"Costume of Kabuki" kimono on display at Bead & Button Show with designer and beader Takako Sako

Bead Shroud of Tabakenkhonsu @ MET
I enjoyed the challenge of preparing the post Q is Quills. There is limited information online about this unique First Nations art form. Using pictures Maria took during a class with First Nations' beadwork artist Naomi Smith, I was able to take you thru the basic steps of this variation of beadwork.
Maria's work in progress
And of course we could not take you on this creative journey without including S is Seed Beads. Maria's post does everything we were hoping do with each post; inspire and inform.

Czech seed beads with iris, silver-lined, matte painted stripe and opaque finishes.
From "Beader's Paint Box", 2013 seminar
I hope that you have enjoyed our creative journey thru the alphabet and that we have inspired and been informative along the way.

Wishing you a happy, healthy and creative New Year.

Happy Beading!

Tuesday, December 31, 2013

ABC's of Creativity - Z is Zing

We have finally reached the end of our creative journey thru the alphabet. We started with A is Art and are ending with Z is Zing.

Zing is defined as vitality, zest or a quality or characteristic that excites the interest or enthusiasm (from dictionary.com).

Creatively zing could be the finding of that one color that will make you finished project different and special.  Here is an original variation of Julia Pretl's vase, with a matte olive green leaf color. The new variation I switched many colors including the leaf color to a silver lined lawn green. The use of the contasting purple for the flowers gives the new vase another needed zing.
Original variation, beaded by J. Woolverton
Revised variation, beaded by J. Woolverton



















 
During her recent visit to Ukraine Maria met up with a fellow beader, Iryna Berdal-Shewchuk, who uses ndebele stitch with zing.  Here are some of her necklaces made with ndebele stitched beaded beads.
Assorted beaded bead necklaces, beaded by I. Berdal-Shewchuk

She also has an amazing way to share her creations with the world. She created this wonderful video showing her necklaces artistically arranged on the interesting and unusual manhole covers in Lviv.



Inspired by Iryna's use the ndebele stitch, Maria started to play with this stitch with zing. She played with variations of a basic motif to create this beaded bracelet. Maria will be teaching this new project at beadFX on Tuesday January 28.
Variation in ndebele, beaded by M. Rypan

Finished bracelet, beaded by M. Rypan
I hope that this past year Maria and I have inspired you to try something new with the same zing that Maria did after her visit with Iryna.

Maria and I have enjoyed taking on this creative journey thru the alphabet this year. In January we will each share some of our favourite posts.

Wishing you a happy, healthy and creative New Year!

Monday, October 7, 2013

ABC's of Creativity - T is Texture



Colourful chicklets are stitched onto a zigzagging netted base.
By Sofiya Fedyna and Tetiana Chyhovetz, Lviv, 2008
Texture has many definitions, but the sum of pulling together of different elements creates an interesting look, a dynamic art piece and adornment.

Here are a few defiinitions http://www.merriam-webster.com/dictionary/texture

Texture is a :  something composed of closely interwoven elements;specifically :  a woven cloth
textile texture - patched linen
Since interwoven elements are mentioned, beadweaving and loom weaving qualify for my presentation about texture in the bead world.
Elastic bracelet with three sections of fine seed bead mosaic (Peyote)  and strung pony beads between. 


Loomwoven 'gerdan' uses two different sizes  of seed beads. Fine seed are the connectors between loomwoven design and back strap. A combination of pony and fine seed bead form a swag front.
Contemporary Hutsul region 'gerdan' purchased in Ivano Frankivsk, Ukraine, 2008


A combination of pony and fine seed beads form a swag front.
Contemporary Hutsul region 'gerdan' purchased in Ivano Frankivsk, Ukraine, 2008

Texture is b :  the structure formed by the threads of a fabric
fragment of tapestry http://www.texturepalace.com
Netting and other stitches are created by beadweaving threads strung with beads into a netted fabric.You start with nothing and create a net one row at a time by passing through mesh points.


Texture Net with Saucers or Lanterns. The colour and size of bead create the pattern.
from Maria's narrated Netting Primer by CraftArtEdu.com
 Instead of using colour placement to create a pattern, use different sizes of beads to create the pattern. This works well in the understated monochromatic look which goes with today's fashion. 
Textured Net in an subtle analogous palette. Beadweaving is best done in hand for good tension and to make all the different sized beads mesh together .
from Maria's narrated Netting Primer by CraftArtEdu.com
Textured Saucer Net sampler
from Maria's narrated Netting Primer by CraftArtEdu.com

Netted Chic Chevrons with mini rondelles inside silver zigzag.
NZ25 -Chic Chevron Collar kit, 2013
"Chic Chevron Collar", BEADWORK, Aug/Sep 2013, pgs. 66-68

Original extra wide netted collar with 2-cut green iris beads between metallic gold
Roey's Zigzag Gold by M. Rypan, 1994

Novel cubes and beads create picots as you vertically beadweave the netted base.
Note how flat the base is because it's all in one size seed bead.
 Triple 'V' Jewel kit, 2008
"Gerdany: Triple 'V' Jewel", ANPT, Festive 2008, pgs. 70-77

4mm jewel-tone facetted cubes are stitched on top of net.
 Triple 'V' Jewel kit, 2008
"Gerdany: Triple 'V' Jewel", ANPT, Festive,2008, pgs. 70-77

Same gold-tone cubes and crystals on two different netted bases.
Scythian Gold 'V' kit, 2009
"Scythian Gold", BEADWORK, Oct/Nov 2009. pgs 63-65 
"Kalyna" bead clusters on netted 'V'
by Nadia Kuzmych Emenalyova, Lviv, 2011
Berry cluster has mosaic-stitched (Peyote) leaves. Berried are opaque with a few transparent ones.
"Kalyna 'V" by Nadia Kuzmych Emenalyova, Lviv, 2011
 Texture is the visual or tactile surface characteristics and appearance of something. Bead Embroidery qualifies here since bead are stitched onto a fabric.
Beaded icon with a netted halo. Faces and hands are painted.
"Madonna & Child" by Oksana Ivanochko, Lviv 2010 

Unusual shapes and objects are embroidered with bead  into this new series.
"Beaded Body Adornment" by Sherry Serafini, 2012
Texture is a:  essential part :  substance
b :  identifying quality :  character
texture  - broken dry soil www.123rt.com
Texture also means a: basic scheme or structure
  
b :  overall structure


By combining different sizes of seed bead sizes and other types of beads in the same project, you create more interesting, dimensional objects of beauty.
By using different shapes and sizes of beads in place of contrasting and accent beads of the same size, you can created interesting monochromatic palettes.


Fringes of random color and size come down from a randomly woven Diagonal Weave band.
By Sofiya Fedyna and Tetiana Chyhovetz, Lviv, 2008
Strings of random color and size beads are suspended from Diagonal Weave bands.
"Trypilian Pottery" by Sofiya Fedyna and Tetiana Chyhovetz, Lviv, 2008

Detail of two variation of Diagonal Weaves. One with strings of bead. Other trimmed with random fringes .
By Sofiya Fedyna and Tetiana Chyhovetz, Lviv, 2008

Diagoanl Weaves with contrast pony bead edges. Since there are two different sizes, working in hand is essential to lock the beads into place and let the band take shape.
Diagonal weave kits, 2009
The Bag of Beads Challenge included all sort of pressed glass shapes, bugles, sequins and buttons.
These make a very fun fringe to my netted kilim medallion.
"Sedona Kilim" TBS Challenge, 2000, by Maria Rypan
This brooch started with gluing down the bigger stones. Beads were then wrapped and stitched.
"Sea Breeze" Brooch by Maria Rypan 
created in a workshop with  Marla Gassner's, AZ, 2004


Hope you're inspired to try and add a few larger or unique beads or gemstones into your next beadwork. Would love to hear back with photos of you newest textured beadwork.

Happy beading! 
Maria